Kültür Sanat Edebiyat Şiir

  • kült film25.07.2008 - 23:33

    'The Man Who Knew Too Much' (1934)

    Alfred Hitchcock

  • belki yol sonsuzluk25.07.2008 - 23:31

    'Gottes Zeit ist die allerbeste Zeit'

    BWV 106

  • buzdolabı gibi insan25.07.2008 - 23:29

    ...

    Mmmmmmmmmmmmmm

    If I could melt your heart

    Mmmmmmmmmmmmmm

    We'd never be apart

    Mmmmmmmmmmmmmm

    Give yourself to me

    Mmmmmmmmmmmmmm

    You hold the key

    ...

  • sistemi okumak25.07.2008 - 23:26

    Mikhail Pletnev - Domenico Scarlatti, Sonatas

    Mikhail Pletnev - C.P.E.Bach - Sonatas & Rondos

    Mikhail Pletnev - Prokofiev, Piano Sonatas No.2,7,8

  • well tempered clavier25.07.2008 - 23:24

    Prelude and Fugue XVII in A-Flat Major

    This Prelude is written entirely in two voices... Let us not be misled by the chords of the first measure... It is indeed the manner of Bach to impose from the beginning the tonality with full harmonies and then to enjoy the refined elaboration of the parts...

    Commentators often mention the modest thematic material of Bach... Is it not rather the richness of Bach's inventive spirit which accomplishes wonders with motives that might appear simple? This Prelude, like the Prelude in F-sharp major of Book II and so many other pieces, proves this eloquently...

    Written in the dotted rhythm 'à la francaise', Prelude XVII is of an incomparable richness... Between the phrases where the bass sustained by chords affirms this rhythm, Bach interrupts, modulates, and bestows upon us a phrase, a kind of recitative, whose intense expression moves us (measures 32, 37, 38, 52, 53, 54, 74, etc.) and surprises us in the midst of a piece which advances with a pace quiet and unalterable...

    The luminous and gentle character of the subject of the Fugue is scarcely veiled by the chromaticism of the first counter-subject...

    Subject, counter-subject, another counter-subject, which, as they unfold, undergo slight variations, intermingle peacefully without any 'tour de force' except that of invertible counterpoint... But is that not enough?

    With each appearance of the subject -fifteen times in all- we experience a new happiness... The uninterrupted motion of the sixteenths which forms the background of the subject gives to the whole piece an atmosphere of grandeur and majesty... This Fugue is in four voices... Notice the last three measures, in which the bass branches off on the last beat, with the tenor setting forth the theme as a farewell...

  • hissedilen duygunun adını koyamamak25.07.2008 - 23:22

    Mary McGregor - Torn Between Two Lovers

  • alan derinliği25.07.2008 - 23:20

    'Birdman of Alcatraz' (1962)

    John Frankenheimer

  • ilham kaynağı olmak25.07.2008 - 23:18

    'Sommarnattens leende' (1955)

    Ingmar Bergman

  • geçiş25.07.2008 - 23:09

    Roma'daki Nato Savunma Koleji'nde Ortadoğu'daki son gelişmeler konusunda bir brifing veren ABD'li albay'ın Türkiye'yi bölen haritayı kullanması, toplantıya katılan Türk subayların tepkisine neden oldu... Brifingdeki Türk subaylar topluca salonu terk edip durumu Ankara'ya bildirdi... Genelkurmay başkanı Org. Yaşar Büyükanıt, ABD genelkurmay başkanı Org. Pace'i arayarak olayı protesto etti...

  • Ergenekon21.07.2008 - 20:54

    Anadolu Susuzluktan Kavruluyor, Tarım Ve Hayvancılık Çöktü

    Toprağın 200 metre altında bile su yok


    Başta Doğu ve Güneydoğu Anadolu'dakiler olmak üzere birçok il, ilçe ve köy susuzluktan kavruluyor... Batman'da zehirli lağım suyu içen 5'i büyükbaş, 20 hayvan zehirlenerek öldü... Su bulmak için toprağın 200 metre derinliğine inen sondaj makineleri, hiçbir kaynağa rastlayamıyor...