If music be the food of love, Sing on till I am fill'd with joy; For then my list'ning soul you move To pleasures that can never cloy. Your eyes, your mien, your tongue declare That you are music ev'rywhere.
Pleasures invade both eye and ear, So fierce the transports are, they wound, And all my senses feasted are, Tho' yet the treat is only sound, Sure I must perish by your charms, Unless you save me in your arms...
The Prelude, divided into two parts by a double bar, is written strictly in three voices, with the exception of the last two measures... I hardly dare apply the term 'strict' to writing so warm and affecting... The sixteenths converse from voice to voice... Notice the rocking movement of the eighths from measure 18 on, as well as in similar places of the second section...
In measures 32-34 and 41-42 we find the ornament 'turn' written out, as if Bach took us by the hand and warned us: 'Above all, play it on the beat, and not like some performers who, taking advantage of my absence, anticipate it! ' True, this warning would have been superfluous to a contemporary of Bach, who would have known how to carry out the turn...
I always dreamed of hearing the E major Fugue sung by an a capella choir, for I felt it was more vocal than instrumental... My dream was once fulfilled years ago in Paris... A few of my friends in the Chanteurs de St. Gervais sang it for me; and it confirmed my belief...
This four-part Fugue is of incomparable magnificence... Its complex art is handled with unbelievable ease by Bach; glowing with the key of E major, it is one of the most perfect works of music...
- Filmed in Atlanta attorney Ed Garland's 15,000 square foot mansion... The house also was used for portions of 'Driving Miss Daisy' (1989)
'La Belle et la bête' (1946)
Jean Cocteau
If music be the food of love,
Sing on till I am fill'd with joy;
For then my list'ning soul you move
To pleasures that can never cloy.
Your eyes, your mien, your tongue declare
That you are music ev'rywhere.
Pleasures invade both eye and ear,
So fierce the transports are, they wound,
And all my senses feasted are,
Tho' yet the treat is only sound,
Sure I must perish by your charms,
Unless you save me in your arms...
'The Comb' (1990)
Quay Brothers
Prelude and Fugue IX in E Major
The Prelude, divided into two parts by a double bar, is written strictly in three voices, with the exception of the last two measures... I hardly dare apply the term 'strict' to writing so warm and affecting... The sixteenths converse from voice to voice... Notice the rocking movement of the eighths from measure 18 on, as well as in similar places of the second section...
In measures 32-34 and 41-42 we find the ornament 'turn' written out, as if Bach took us by the hand and warned us: 'Above all, play it on the beat, and not like some performers who, taking advantage of my absence, anticipate it! ' True, this warning would have been superfluous to a contemporary of Bach, who would have known how to carry out the turn...
I always dreamed of hearing the E major Fugue sung by an a capella choir, for I felt it was more vocal than instrumental... My dream was once fulfilled years ago in Paris... A few of my friends in the Chanteurs de St. Gervais sang it for me; and it confirmed my belief...
This four-part Fugue is of incomparable magnificence... Its complex art is handled with unbelievable ease by Bach; glowing with the key of E major, it is one of the most perfect works of music...
Bach - Complete flute sonatas (Maxence Larrieu)
'Stazione Termini' (1953)
Vittorio De Sica
Publication of 'The Well of Loneliness' by Radclyffe Hall...
27.7.1928
- Tarih yazmanın yarısı, gerçeği saklamaktan geçer...
(Serenity)
'The Life and Death of Colonel Blimp' (1943)
Michael Powell
Emeric Pressburger